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God the Father appears in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam. God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin (see gallery below) in the Frari of Venice, long admired as a masterpiece of High Renaissance art. [25]
God the Father is a title given to God in Christianity. In mainstream trinitarian Christianity, God the Father is regarded as the first Person of the Trinity, followed by the second person, Jesus Christ the Son, and the third person, God the Holy Spirit. [1] Since the second century, Christian creeds included affirmation of belief in "God the ...
[52] [53] The Bible usually uses the name of God in the singular (e.g., Exodus 20:7 [54] or Psalms 8:1), [55] generally using the terms in a very general sense rather than referring to any special designation of God. [56] However, general references to the name of God may branch to other special forms which express his multifaceted attributes. [56]
This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
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Whereas Nicene Christians professes "one God in three divine persons" (God the Father, God the Son and God the Holy Ghost), Modalism is a form of Christian Unitarianism which stands in opposition to Trinitarianism and holds that the one God is also just one person, but simply appears in three different forms; those forms being the Father, Son ...
The Father and the Son and the Holy Spirit" are not names for different parts of God, but one name for God [111] because three persons exist in God as one entity. [112] They cannot be separate from one another. Each person is understood as having the identical essence or nature, not merely similar natures. [113]
A diagram of the names of God in Athanasius Kircher's Oedipus Aegyptiacus (1652–1654). The style and form are typical of the mystical tradition, as early theologians began to fuse emerging pre-Enlightenment concepts of classification and organization with religion and alchemy, to shape an artful and perhaps more conceptual view of God.