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The story had been previously suggested to Diaghilev by Igor Stravinsky as a possible subject for a ballet, and Diaghilev and his choreographer Léonide Massine helped Prokofiev to shape this into a ballet scenario. The story involves seven buffoons who all murder their wives after being told by an eighth buffoon that he has killed his own wife ...
Le pas d'acier was a major success for Prokofiev and Diaghilev in Paris, where it was performed for three consecutive seasons. Diaghilev was a confirmed supporter of Prokofiev's compositions, going so far as to term him "my second son" (Stravinsky being his metaphorical "first"), and Diaghilev's death in 1929 removed Prokofiev's primary source of ballet commissions and practical support in the ...
Scene from Les Sylphides. The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance.
In Memory of ... is a ballet in one act made by New York City Ballet ballet master Jerome Robbins to Berg's Violin Concerto (To the Memory of an Angel) of 1935 (written on the death of Manon Gropius, daughter of Alma Mahler, Gustav Mahler's widow, and Walter Gropius), based on themes from Mahler, a Carpathian folk song, and Bach's O Ewigkeit, du Donnerwort, BWV 20.
Antique Epigraphs is a ballet made on New York City Ballet by ballet master Jerome Robbins to an orchestrated version of Debussy's Six épigraphes antiques, L131, for piano, four hands, from 1914: “Pour invoquer Pan, dieu du vent d'été” “Pour un tombeau sans nom” “Pour que la nuit soit propice” “Pour la danseuse aux crotales”
Deaths and Entrances is a ballet choreographed by Martha Graham performed to music by Hunter Johnson. Arch Lauterer created the original set; Edythe Gilfond designed the costumes. [ 1 ] The ballet was well-received from the first performance despite being labeled as one of Graham's most personal, least accessible works. [ 2 ]
Le Jeune Homme et la Mort is a ballet by Roland Petit, choreographed in 1946 to Bach's Passacaglia and Fugue in C Minor, BWV 582, with a one-act libretto by Jean Cocteau. It tells the story of a young man driven to suicide by his faithless lover. Sets were by Georges Wakhévitch and costumes variously reported as being by Karinska or Cocteau.
The story is about a man and wife who hate each other, who are brutally and ferociously vicious towards each other, who are trapped in a miserable marriage. And soon they'll be celebrating their 25th wedding anniversary. The husband, Edgar, is a retired artillery captain and a tyrant of a man. His wife, Alice, is a former actress.