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Scene from Les Sylphides. The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance.
Le pas d'acier was a major success for Prokofiev and Diaghilev in Paris, where it was performed for three consecutive seasons. Diaghilev was a confirmed supporter of Prokofiev's compositions, going so far as to term him "my second son" (Stravinsky being his metaphorical "first"), and Diaghilev's death in 1929 removed Prokofiev's primary source of ballet commissions and practical support in the ...
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In Memory of ... is a ballet in one act made by New York City Ballet ballet master Jerome Robbins to Berg's Violin Concerto (To the Memory of an Angel) of 1935 (written on the death of Manon Gropius, daughter of Alma Mahler, Gustav Mahler's widow, and Walter Gropius), based on themes from Mahler, a Carpathian folk song, and Bach's O Ewigkeit, du Donnerwort, BWV 20.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
Scene from the ballet Swan Lake. A narrative ballet, also known as classical ballet or story ballet is a form of ballet that has a plot and characters. It is typically a production with full sets and costumes. It was an invention of the eighteenth century. [1] Most romantic and classical ballets of the 19th century were narrative ballets.
Fall River Legend is a ballet by American choreographer Agnes de Mille, with music by Morton Gould. Set in Massachusetts in 1892-1893, the ballet tells the infamous story of Lizzie Borden. The work notably alters the outcome of the court case, with Borden receiving a guilty verdict rather than an acquittal.
Deaths and Entrances is a ballet choreographed by Martha Graham performed to music by Hunter Johnson. Arch Lauterer created the original set; Edythe Gilfond designed the costumes. [ 1 ] The ballet was well-received from the first performance despite being labeled as one of Graham's most personal, least accessible works. [ 2 ]