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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen
Letters is the fourth album by American singer-songwriter Jimmy Webb, released in 1972 by Reprise Records. [1] Letters was a more sedate, piano-oriented album than its predecessors, and soaked in the influence of Webb's peer and eventual close friend Joni Mitchell .
Easy Living is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1977, featuring performances by Rollins with George Duke, Paul Jackson and Tony Williams with Byron Miller and Bill Summers added on one track.
Michael “Tunes” Antunes (born August 10, 1940) is a professional American saxophonist. He is most noted for playing the tenor saxophone on hit songs with John Cafferty and the Beaver Brown Band and for his acting role as the saxophonist in the 1983 movie Eddie and the Cruisers and its sequel, Eddie and the Cruisers II: Eddie Lives!
The song "For a Friend" by Phil Collins, released on the CD single "We Wait and We Wonder" in 1993, was a tribute to Myrick, who actively participated in Collins's songs and shows for many years. [citation needed] As a tribute, Gary Bias performs the saxophone solos that originated with Myrick at Earth, Wind & Fire's live shows. [citation needed]
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. [1]
In his review for Allmusic, William Ruhlmann called And So: On an album of "different moods that didn't quite hang together" due to the widely varying ages of the songs. He also criticized that while Webb is an adequate singer, most of the songs were not written for his voice's limitations, resulting in unpleasant straining as he attempts to hit notes outside his range.