Search results
Results From The WOW.Com Content Network
Nicknamed the Warrior Pope, the Battle Pope or the Fearsome Pope, it is often speculated that he had chosen his papal name not in honor of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. [ 1 ]
At the centre of the work is Christ, shown as the individual verdicts of the Last Judgment are pronounced; he looks down towards the damned. He is beardless, and "compounded from antique conceptions of Hercules, Apollo, and Jupiter Fulminator", [3] probably, in particular, the Belvedere Apollo, brought to the Vatican by Pope Julius II. [8]
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
The 1513 papal conclave, occasioned by the death of Pope Julius II on 21 February 1513, opened on 4 March with twenty-five cardinals in attendance, out of a total number of thirty-one. The Conclave was presided over by Cardinal Raffaele Sansoni Riario , who was both Dean of the College of Cardinals and Cardinal Chamberlain of the Holy Roman ...
A collection of popes have had violent deaths through the centuries. The circumstances have ranged from martyrdom (Pope Stephen I) to war (Lucius II), to an alleged beating by a jealous husband (Pope John XII). A number of other popes have died under circumstances that some believe to be murder, but for which definitive evidence has not been found. Martyr popes This list is incomplete ; you ...
Pope Julius II Desiderius Erasmus. Julius Excluded from Heaven (Latin: Iulius exclusus e coelis, IE) is a dialogue that was written in 1514, commonly attributed to the Dutch humanist and theologian Desiderius Erasmus. It involves Pope Julius II, who died a year earlier, trying to persuade Saint Peter to allow him to enter Heaven by using
After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni , Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino .
Created between 1513 and 1516, it was to serve with another figure, the Rebellious Slave, at the tomb of Pope Julius II. [1] It is a marble figure 2.15 metres (7' 4") in height, and is exhibited at the Louvre, Paris.