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Saint George (Italian: San Giorgio) is a marble sculpture by Donatello. It is one of fourteen sculptures commissioned by the guilds of Florence [1] to decorate the external niches of the Orsanmichele church. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai.
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. [1] It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.
In 1967, the city of San Francisco, California, adopted Article 10 of the Planning Code, providing the city with the authority to designate and protect landmarks from inappropriate alterations. As of June 2024, the city had designated 318 structures or other properties as San Francisco Designated Landmarks. [1]
Bounded by Portola Dr., San Pablo and Santa Paula Aves., San Jacinto Way, San Andreas Way, Junipero Serra and Monterey Blvds. 37°44′06″N 122°28′05″W / 37.7349°N 122.4680°W / 37.7349; -122.4680 ( St. Francis Wood Historic
Saint George (Ancient Greek: Γεώργιος, romanized: Geṓrgios; [note 1] died 23 April 303), also George of Lydda, was an early Christian martyr who is venerated as a saint in Christianity. According to tradition, he was a soldier in the Roman army .
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
The Donatello, San Francisco (1988–1989), 1760, San Francisco (2013–2020) Suzette Gresham , also known as Suzette Gresham-Tognetti , [ 1 ] [ 2 ] is an American chef.
Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]