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The first electronic music festival held in Detroit was the Detroit Electronic Music Festival in 2000, produced by Carol Marvin and her organization Pop Culture Media (which included event producer Adriel Thornton, Telo Dunne and Barbara Deyo and others). It took place in Detroit's Hart Plaza. The event was one of the first electronic music ...
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins , Eddie Fowlkes , Derrick May , Jeff Mills , Kevin Saunderson , Blake Baxter , Drexciya , Mike Banks , James Pennington and Robert Hood .
The Detroit Techno Militia also features ensemble acts with multiple DJs performing on multiple turntables at the same time. In the summer of 2007, the DTM 5x5 was formed. The DTM 5x5 was the first group in the Techno genre to feature five DJs (Darkcube, T.Linder, DJ Seoul, Neil V. and DJ Psycho) performing together on five analog turntables.
Derrick May (born April 6, 1963), also known as Mayday and Rhythim Is Rhythim, is an American electronic musician from Belleville, Michigan, United States.May is credited with pioneering techno music in the 1980s along with collaborators Juan Atkins and Kevin Saunderson, commonly known as The Belleville Three.
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Some notable artists were DJ Assault and DJ Godfather. Since May 2000, Detroit has also been the home of the hugely popular Detroit Electronic Music Festival and related festivals. The west coast of Michigan hosts the eight-day Electric Forest Festival each summer since 2008, which features famous EDM DJs and jam bands.
Former Detroit music journalist for the Detroit Metro Times, Hobey Echlin describes ghettotech as a genre that combines "techno's fast beats with rap's call-and-response." [2] It features four-on-the-floor rhythms and is usually faster than most other dance music genres, at roughly 145 to 160 BPM. Vocals are often repetitive, crude, and ...
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]