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Hayedeh: Legendary Persian Diva (Persian: سخن از هایده) is a 2009 documentary film about the late Iranian iconic singer Hayedeh, made by the exiled musician and journalist Pejman Akbarzadeh in The Netherlands. [1] The 100-minute documentary was filmed in France, Germany, the Netherlands, the United Kingdom and the United States.
Ma'soumeh Dadehbala (Persian: معصومه ددهبالا, romanized: Masume Dadebâlâ; April 10, 1942 – January 20, 1990), known professionally as Hayedeh (Persian: هایده, romanized: Hâyde), was an Iranian singer with a contralto vocal range. Known for her wide range of voice, her career spanned over two decades, and she has been ...
Mahasti (left) and Hayedeh, leaping over a fire at Chaharshanbe Suri.. Khadijeh Eftekhar Dadehbala was born on November 16, 1946, in Tehran, Iran. [4] She was the younger sister of Iranian singer Hayedeh. [5]
Soghati, which means souvenir in Persian, was performed by Hayedeh in 1976 in Tehran. The composer of Soghati is Mohammad Heydari, the lyricist Ardalan Sarfaraz. The song was arranged for orchestra by Naser Cheshmazar.
Leila Kasra (Persian: لیلا کسری ; 1939–1989) also known as Hedieh (Persian: هدیه), (March 27, 1939 – May 16, 1989) was a prominent Iranian contemporary poet and lyricist who has written lyrics for notable artists including Ebi, Dariush, Sattar, Vigen, Moein, Mahasti, Andy, Homeyra, Morteza, Hassan Shamaizadeh, Siavash Shams and many more.
In particular, the station has featured sketch comedy that has parodied the leaders of the Iranian government. In addition, the station recorded numerous music videos by Persian classical and pop stars in the 1980s and 1990s eg. Hayedeh, Moein, Ebi and Sattar. The channel used to be available via cable and later satellite.
Kianian in Fajr Film Festival, 8 February 2016. Reza Kianian has acted in some television series as well. Perhaps his most memorable role in television has been his character 'Jamshid' in Shellike Nahayi (The Final Shot) directed by Mohsen Shahmohammadi, where 'Jamshid-style' outfits and hairstyle became popular with the youth of Iran.
The quality of the production is evident in Hossein Jafarian's fluid cinematography and Hayedeh Safyari's nervous editing. The final scenes are a tour de force in which the bonfire-strewn streets fill with merrymakers and the exploding fireworks look as dangerous as a war, an apt metaphor for the everyday violence in the characters' lives."