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Psalm 23 is the 23rd psalm of the Book of Psalms, ... ("Goodness and mercy shall follow me") reminds him of two loyal sheepdogs coming behind the flock.
It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire. [1] It is commonly sung to the tune Crimond, which is generally credited to Jessie Seymour Irvine. [2]
The Book of Psalms (/ s ɑː (l) m z /, US also / s ɔː (l) m z /; [1] Biblical Hebrew: תְּהִלִּים , romanized: Tehillīm, lit. 'praises'; Ancient Greek: Ψαλμός, romanized: Psalmós; Latin: Liber Psalmorum; Arabic: زَبُورُ, romanized: Zabūr), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called Ketuvim ('Writings ...
The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
Psalms are often referred to as sacred songs or hymns, the word Psalm originating from the Greek psallein meaning "to pluck". However, despite Sidney's musical use of rhyme and rhythm, it has been argued that Sidney's Psalms inject a stronger poetic theme rather than a musical one: "Sidney and especially Pembroke put into thorough practice ...
The exact distinction between the two main parts of the psalm is also controversial, as verse 23 is sometimes counted as a part of the original psalm, but sometimes as part of the later addition. The original psalm (v. 2-22/23) is thought to date from the pre-exilic period, that is, before the Babylonian destruction of Jerusalem in 587 BC.
"Our God, Our Help in Ages Past" (or "O God, Our Help in Ages Past") is a hymn by Isaac Watts in 1708 that paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas; however, in present usage the fourth, sixth, and eighth stanzas are commonly omitted to leave a total of six (Methodist hymn books also include the ...
[23] [24] It has also been used by African-American composer Julius Eastman in his 1979 work Gay Guerrilla, composed for an undefined number of instruments and familiar in its recorded version for 4 pianos. Eastman's use of the hymn can arguably be seen as simultaneously a claim for inclusion in the tradition of "classical" composition, as well ...