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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
Since this time, the technique has been used to make a wide variety of objects for both ritual, festival and decorative use, mostly by poorer indigenous and mestizo communities. [1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new.
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.
The connection between the Linares family and cartonería extends back to the 19th century with Juan Bautista Linares from Xochimilco began to make papier-mâché items for festivities related to Holy Week. In the 19th century, Francisco Linares specialized in the making of Judas figures for burning on Holy Saturday. Celso Linares, the ...
Brown craft paper is used as a final layer for taka made for export. This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and shapes.
Muslims invented a method to make a thicker sheet of paper. This innovation helped transform papermaking from an art into a major industry. [9] [8] The earliest use of water-powered mills in paper production, specifically the use of pulp mills for preparing the pulp for papermaking, dates back to Samarkand in the 8th century. [10]