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"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. Occurring in Act III, scene II, it ...
"Tithonus" is a poem by the Victorian poet Alfred, Lord Tennyson (1809–92), originally written in 1833 as "Tithon" and completed in 1859. It first appeared in the February edition of the Cornhill Magazine in 1860.
in the First Folio from 1623 This 1888 painting by William Holmes Sullivan is named Et tu Brute and is located in the Royal Shakespeare Theatre. Photograph of the Mercury Theatre production of Caesar, the scene in which Julius Caesar (Joseph Holland, center) addresses the conspirators including Brutus (Orson Welles, left). Et tu, Brute?
A single incomplete line survives that might come from the Iter, quoted by Isidore of Seville [9] in discussing the word unguentum, "ointment": Certain unguents, however, are referred to by place of origin. An example is telinum, [10] as Julius Caesar notes when he says 'We lubricate our bodies with soothing telinum.'
Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems.
The story of Tithonus was popular in archaic Greek poetry, though the reference to him in this poem seems out of place, according to Rawles. [16] However, Page duBois notes that the use of a mythical exemplum to illustrate the point of a poem, such as the story of Tithonus in this poem, is a characteristic feature of Sappho's poetry – duBois ...
"Tithonus" by Alfred Tennyson was originally written as "Tithon" in 1833 and completed in 1859. [17] The poem is a dramatic monologue in blank verse from the point of view of Tithonus. Unlike the original myth, it is Tithonus who asks for immortality, and it is Aurora, not Zeus, who grants this imperfect gift. As narrator, Tithonus laments his ...
Shakespeare's contradictory speaker stands as one of the most important elements of the artistic impact and lasting vitality of the sequence". [6] In this particular sonnet, the couplet acts as a summary of the basic sentiment of silent and stifled desire that fill the lines of the poem.