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Textualis, also known as textura or "Gothic bookhand", was the most calligraphic form of blackletter, and today is the form most associated with "Gothic". Johannes Gutenberg carved a textualis typeface—including a large number of ligatures and common abbreviations—when he printed his 42-line Bible .
This template is used to mark text written in Gothic script, using a set of specific fonts and a specific font size. TemplateData This is the TemplateData for this template used by TemplateWizard , VisualEditor and other tools.
Everson, Michael (2000-10-13), Gothic 10330--1034F (draft block description) L2/05-068 Scherer, Markus (2005-02-08), Missing numeric value for Gothic Letter Nine Hundred
Download QR code; Print/export ... Century Gothic [2] Sans Serif: Proportional: Regular, Bold, Italic, Bold Italic ... Text is available under the Creative Commons ...
Gothic script, typeface, letters, text or font may refer to: Blackletter an ornate calligraphic style originating in Western Europe. (Includes "Early Gothic", "Old English", Textura/Textualis, Cursiva and others.) Fraktur, a form of Blackletter; Schwabacher, a form of Blackletter; Gothic alphabet, the Greek-derived writing system of the Gothic ...
As Benton Gothic, there are 7 weights from Thin to Black and only 2 widths. When working for retail version of the font, the family was harmonized and given the new name called Benton Sans. In 2002-2003, Cyrus Highsmith added additional widths, weights, and italics to the typeface family, and the face was released for public use under the name ...
The Gothic alphabet is an alphabet for writing the Gothic language. It was developed in the 4th century AD by Ulfilas (or Wulfila), a Gothic preacher of Cappadocian Greek descent, for the purpose of translating the Bible. [a] The alphabet essentially uses uncial forms of the Greek alphabet, with a few additional letters to express Gothic ...
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.