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Goethe finished writing Faust, Part Two in 1831; it was published posthumously the following year. In contrast to Faust, Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The ...
The character is ostensibly based on Johann Georg Faust (c. 1480–1540), a magician and alchemist probably from Knittlingen, Württemberg, who obtained a degree in divinity from Heidelberg University in 1509, but the legendary Faust has also been connected with an earlier Johann Fust (c. 1400–1466), Johann Gutenberg's business partner, [7 ...
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theatre, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust.
" Gretchen am Spinnrade" (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 15 of Johann Wolfgang von Goethe's Faust. With "Gretchen am Spinnrade" and some 600 other songs for voice and piano, Schubert contributed transformatively to the genre of Lied .
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
Faust: The Second Part of the Tragedy (German: Faust. Der Tragödie zweiter Teil in fünf Akten.) is the second part of the tragic play Faust by Johann Wolfgang von ...
Faust (Russian: Фауст, Faust) is a novella by Ivan Turgenev, written in 1856 and published in the October issue of the Sovremennik magazine in the same year. [1] The story draws inspiration from Goethe's Faust , both as a tangible book around which the narrative revolves, and thematically.
Faust falls in love with Gretchen, the symbol of the traditional world and Gretchen is strongly affected seeking to change in order to find a place in Faust's life, in the modern world - "she is forced to develop a new sense of herself in a hurry [6]". As she grows and develops she becomes more and more deeply in love with Faust to the point ...