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Louis Agassiz Fuertes (February 7, 1874 – August 22, 1927) was an American ornithologist, illustrator and artist who set the rigorous and current-day standards for ornithological art and naturalist depiction and is considered one of the most prolific American bird artists, second only to his guiding professional predecessor John James Audubon.
The Dutch title of the painting is the bird's nickname, puttertje, which refers to this custom and is a diminutive equivalent to "draw-water", an old Norfolk name for the bird. [8] [10] The goldfinch frequently appears in paintings, not just for its colourful appearance but also for its symbolic meanings.
Educated in Rochester and at the Regent Street Polytechnic, he was a skilled bird and mammal painter, holding annual exhibitions of his paintings and etchings. The subjects of his etchings were snipe, Canada geese, mallard and kingfishers. He also gave lectures on bird watching and the drawing of birds, with an emphasis on birds in flight.
Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The Boyhood of Raleigh; Bushel with ibex motifs
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Restored Piasa Bird carving along the Mississippi River near the junction with the Illinois River. The monster depicted in the mural was first referred to as the "Piasa Bird" in an article published c. 1836 by John Russell of Bluffdale, Illinois. John Russell was a professor of Greek and Latin at Shurtleff College, Upper Alton, Illinois. [10]
Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for fine art objects and adornment, from hairpins, headdresses, and ...