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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.
In the context of a musical play (opera, light opera, or musical), the term "libretto" is commonly used instead of "script". A play is typically divided into acts, akin to chapters in a novel. A concise play may consist of only a single act, known as a "one-acter". Acts are further divided into scenes.
Rev. J.K. Brennan wrote his essay "The General Design of Plays for the book 'The Delphian Course'" (1912) for the Delphian Society. [60] For the essay, he describes what the diagram and the play of Antigone look like. He outlines eight parts of a play which are: The Exposition: This part tells what has happened before the stage action begins.
Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his ...
Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
The plays written by Bhāsa were known to historians only through the references of later writers, as the manuscripts themselves were lost. Manuscripts of 13 plays written by him were discovered in an old library in Thiruvananthapuram (Trivandrum) in 1913 by the scholar Ganapati Sastri. A 14th play was later discovered and attributed to Bhāsa ...
His thoughts on Shakespeare's plays as a whole (particularly the tragedies), his discussions of certain characters such as Shylock, Falstaff, Imogen, Caliban and Iago and his ideas about the nature of drama and poetry in general, such as expressed in the essay on Coriolanus, gained renewed appreciation and influenced other Shakespearean criticism.