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The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, [1] and it is widely considered one of the cornerstones of western music.
In fact the first recording of Beethoven's "Fifth" was three years earlier, by Friedrich Kark and the Odeon Symphony Orchestra in Berlin in 1910. [2] Both the Kark and Nikisch recordings were cut in performance and the first fully and wholly complete recording of Beethoven's Fifth was only made by Albert Coates around 1920.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
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Despite being considered a symphonic poem, the composer referred to it as his fourth symphony 5: Prométhée: Le Poème du Feu: Prometheus: The Poem of Fire: 1908-10: Also referred to by the composer as his fifth symphony Antonio Scontrino: Sinfonia marinesca: Marine Symphony: Sinfonia romantica: Romantic Symphony: Giovanni Sgambati: Sinfonia ...
The record was produced by production music and sound effects recording producer Thomas J. Valentino. [4] The "Fifth" in the song's title is a pun, referencing a liquid measure approximately equal to one-fifth of a gallon, a popular size for bottles containing liquor, as well as Beethoven's Fifth Symphony from which the song was adapted.