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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
The concept of third persona is considered within the larger discussion of "rhetorical criticism" regarding speech communication, and also within the literature of the "ideological turn." Within rhetorical practice, critical rhetoric, ideological turn, and third persona are related to theories of power within social discourse and politics. [ 13 ]
Attempts have been made at a classification of unreliable narrators. William Riggan analysed in a 1981 study four discernible types of unreliable narrators, focusing on the first-person narrator as this is the most common kind of unreliable narration. [6] Riggan provides the following definitions and examples to illustrate his classifications:
The novel is told in the third-person omniscient point of view. [ 6 ] According to Italian writer Alberto Arbasino , Federico Fellini 's film 8½ (1963) used similar artistic procedures and had parallels with Musil's novel.
This literature-related list is incomplete; you can help by adding missing items. ( October 2021 ) Narrative forms have been subject to classification by literary theorists, in particular during the 1950s, a period which has been described metaphorically as the Linnaean period in the study of narrative .