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Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Opus 43bis: Concertino for cello and orchestra in C minor (1948) Opus 43: Concerto for cello and orchestra in C minor (1948) Opus 44: Greetings Overture for orchestra (1949) Opus 45: Symphony No. 3 (1949) Opus 46: Sonatina for violin and piano in D major (1949) Opus 47 No. 1: Rhapsody on Moldavian Themes for orchestra (1949)
Octet for clarinet, bassoon, horn, violin, two violas, cello, and double bass (1958) Quintet for clarinet and string quartet, Op. 30 (1923, rev. 1954) Quartet for clarinet, violin, cello and piano (1938) String Quartet No. 1 in C, Op. 2 (1915) String Quartet No. 2 in F minor, Op. 10 (1918) String Quartet No. 3 in C, Op. 16 (1920)
Op. 18 – Concertino for flute, oboe, violin, horn and orchestra in C [1] [5] (possibly an arrangement of one of the quartets in the set also published as Op. 18. ) Op. 19 – three string quartets "concertans", in C, F and B ♭. Op. 20 – three string quartets, in C, F and B ♭ (composed jointly by Krommer and Barrière.
C. Clarinet concertos (29 P) Pages in category "Compositions for clarinet and orchestra" The following 5 pages are in this category, out of 5 total.
Henk Badings: Concertino for piano trio (violin, cello, and piano) and chamber orchestra (1942) [1] Marion Bauer: Concertino for oboe, clarinet, and string quartet, Op. 32b [citation needed] Luciano Berio: Concertino for clarinet, violin, celesta, harp, and strings (1949, rev. 1951 and 1970) Henriëtte Bosmans: Concertino for piano and ...
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. [ 1 ]
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...