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Joyce Kilmer's reputation as a poet is staked largely on the widespread popularity of this one poem. "Trees" was liked immediately on first publication in Poetry: A Magazine of Verse; [26] when Trees and Other Poems was published the following year, the review in Poetry focused on the "nursery rhyme" directness and simplicity of the poems ...
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
Our Casuarina Tree is a poem published in 1881 by Toru Dutt [Ancient Ballads and Legends of Hindustan], an Indian poet. In this poem Toru Dutt celebrates the majesty of the casuarina tree that she used to see by her window, and remembers her happy childhood days spent under it and revives her memories with her beloved siblings.
The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility.They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle.
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The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
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