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Biographer Larry Jordan wrote that Reeves was at his "most moving" when singing sacred songs, citing "Evening Prayer" and "God Be With You" as prime examples. [6] Of the songs recorded at the September 9, 1958 session, Jordan wrote: "The religious songs he mastered that day have been enjoyed countless times by legions of his fans in the ensuing ...
James Travis Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer and songwriter. With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville Sound. Known as "Gentleman Jim", his songs continued to chart for years after his death in a plane crash.
Download QR code; Print/export ... We Thank Thee is a gospel studio album by Jim Reeves, released in 1962 [1] ...
Never Grow Old" usually refers to an old Southern Gospel song of the same name, technically called "Where We'll Never Grow Old", written by James Cleveland Moore, Sr. on April 22, 1914. It has been included on many religious-themed audio compilations, and has been covered by many singers, including Johnny Cash , [ 1 ] Jim Reeves, [ 2 ] Bill and ...
The Best of Jim Reeves Volume III "I Heard a Heart Break Last Night" b/w "Golden Memories and Silver Tears" (from The International Jim Reeves) 9 9 — — 1 — 38 — — The Best of Jim Reeves Vol. IV: 1968 "That's When I See the Blues (In Your Pretty Brown Eyes)" b/w "I've Lived a Lot In My Time" (from According to My Heart) 9 10 — — 5 ...
My Cathedral is a gospel studio album by Jim Reeves, released posthumously in October 23, 1967 on RCA Victor. [ 2 ] [ 3 ] It was produced by Chet Atkins . [ 3 ]
The most famous version was performed by country music singer Jim Reeves, who styled the song in his favoured style of Nashville Sound.Reeves' version was included on his 1962 album A Touch of Velvet and was released as a single in the United States in early 1964, reaching No. 2 on the Billboard Hot Country Singles chart in the spring of that year.
Songs Made Famous by Jim Reeves is an album recorded by Kitty Wells and released in 1966 on the Decca label (DL 4741) in the United States and on the Brunswick label (STA 8646) in the United Kingdom. [1] Thom Owens of Allmusic called it an enjoyable collection. [2]