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  2. Last verse harmonisation - Wikipedia

    en.wikipedia.org/wiki/Last_verse_harmonisation

    A notable example is David Willcocks' harmonisation of the seventh verse of the famous hymn tune "Adeste Fideles". This opens with the organ playing the melody in unison at three pitches (each an octave apart; the lowest played on the pedalboard), which is another popular technique of last verse harmonisation.

  3. Hymn tune - Wikipedia

    en.wikipedia.org/wiki/Hymn_tune

    Among the tunes in Sacred Harmony that are still in use are Derby, Helmsley, and Savannah. Accompanists to hymn singing had a tune book, a volume with a collection of tunes, most without words, the exception being the occasional lyric when underlay of words to the music was ambiguous. An example of this was The Bristol Tune Book. [25]

  4. Vocal harmony - Wikipedia

    en.wikipedia.org/wiki/Vocal_harmony

    Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music , including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and ...

  5. Harmony - Wikipedia

    en.wikipedia.org/wiki/Harmony

    In pop music, unison singing is usually called doubling, a technique The Beatles used in many of their earlier recordings. As a type of harmony, singing in unison or playing the same notes, often using different musical instruments, at the same time is commonly called monophonic harmonization .

  6. Unison - Wikipedia

    en.wikipedia.org/wiki/Unison

    Music in which all the notes sung are in unison is called monophonic. In a choir with two or more sections, such as for different vocal ranges, each section typically sings in unison. Part singing is when two or more voices sing different notes. Homophony is when choir members sing different pitches but with the same rhythm.

  7. Lutheran chorale - Wikipedia

    en.wikipedia.org/wiki/Lutheran_chorale

    The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a chorale harmonization. The practice of singing in unison was the rule of the reformed churches, both in Germany and in other countries. [1]

  8. Voice leading - Wikipedia

    en.wikipedia.org/wiki/Voice_leading

    Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for example, singing a large leap may be harder than playing it on piano.

  9. Catch (music) - Wikipedia

    en.wikipedia.org/wiki/Catch_(music)

    In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons.