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Because plaster of Paris sets quickly, "retardants" were used to slow setting time enough to allow workers to mix large working quantities of lime putty plaster. A modern form of this method uses expanded metal mesh over wood or metal structures, which allows a great freedom of design as it is adaptable to both simple and compound curves.
Scagliola is a composite substance made from plaster of Paris, glue and natural pigments, imitating marble and other hard stones. The material may be veined with colors and applied to a core, or desired pattern may be carved into a previously prepared scagliola matrix.
A common casting medium, plaster is also a popular pick for making molds. Using this substance, which is manufactured in powder form, is ideal when you want a rigid structure to make casts as an ...
Gypsum mortar, also called plaster of Paris, was used in the construction of many ancient structures. It is made from gypsum, which requires a lower firing temperature. It is therefore easier to make than lime mortar and sets up much faster, which may be a reason it was used as the typical mortar in ancient, brick arch and vault construction.
There are several different filler materials used in ceramics including plaster of Paris and other commercially available putties and fillers. Plaster of Paris is a material that consists of calcium sulphate hemihydrate power and is produced by heating gypsum to 120 °C.
Chalkware is an American term for popular figurines either made of moulded plaster of Paris (usually) or sculpted gypsum, and painted, typically with oils or watercolors.
It is chiefly made of plaster of Paris (powdered gypsum), with a little cement, glycerin, and dextrin, mixed with water until it is about as thick as molasses. When staff is cast in molds, it can form any shape. To strengthen it, coarse cloth or bagging, or fibers of hemp or jute, are put into the molds before casting. It becomes hard enough in ...
In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster.