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The table of contents page of the Poetics found in Modern Library's Basic Works of Aristotle (2001) identifies five basic parts within it. [12] Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative ...
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
12. “The law is reason, free from passion.” 13. “The aim of the wise is not to secure pleasure, but to avoid pain.” 14. “We can do noble acts without ruling the earth and sea.”
Aristotle asserted that a play must be complete and whole, in other words, it must have unity, i.e. a beginning, a middle and an end. The philosopher also asserted that the action of epic poetry and tragedy differ in length, "because in tragedy every effort is made for it to take place in one revolution of the sun, while the epic is unlimited ...
Aristotle considers Oedipus Rex (c. 429 BCE) as the quintessential dramatic work. He analyzes the relations among character, action, and speech, gives examples of good plots, and considers the role of audience response as an aspect of theatrical form. His "rules" are referred to today as "Aristotelian drama".
In Rhetoric Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Poor translations at the time resulted in some misreadings by Trissino. [1] [2] Trissino's play Sofonisba followed classical Greek style by adhering to the unities, by omitting the usual act division, and even introducing a chorus ...
Used by early mathematicians including Euclid (Elements, 1.4), Aristotle (APo.90b34), and Archimedes, written at the end of a mathematical proof or philosophical argument, to signify the proof as complete.
As play begins, the philosophers break from their proper football positions only to walk around on the pitch as if deeply pondering, and in some cases declaiming their theories. [1] Franz Beckenbauer , the sole genuine footballer on the pitch and a "surprise inclusion" in the German team, is left more than a little confused.