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[20] [21] In 1953, ASCAP filed an antitrust lawsuit against BMI, and instigated a congressional investigation of BMI in 1956. ASCAP lobbied Congress for laws that would bar broadcasters from owning BMI stock in 1958, and provided the impetus to launch payola investigations at the end of the decade. ASCAP and BMI settled an antitrust lawsuit in ...
Music Reports, a US-based music rights licensing company; Motion Picture Licensing Corporation (MPLC) SESAC, a US-based performance rights association; SoundExchange, a digital performance rights association (non-interactive radio) Pro Music Rights, a US-based performance rights association
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.
The US and EC announced a temporary settlement arrangement on June 23, 2003, though the Fairness in Music Licensing Act remains in effect. [8] Under the Temporary Settlement, effective June 23, 2003 through December 20, 2004, the US paid $3.3 million to a fund established in the EU for the benefit of rights-holders. [ 9 ]
The American Society of Composers, Authors and Publishers (ASCAP) announced record financial results for 2023, with $1.737 billion in revenue and $1.592 billion available for royalty distributions ...
The test track features level 2-mile (3.2 km) straightaways. Vehicle Dynamics Area: 50-acre (20-hectare) asphalt pad, with an acceleration loop at each end, is a multipurpose facility for vehicle dynamic testing, durability testing, brake testing, performance testing, product demonstrations, and driver
The license agreements of major performance rights organisations (PROs) such as ASCAP and BMI only cover what are known in contrast as "small rights", and exclude the usage of compositions within "dramatic" or "dramatico-musical" works, or the use of compositions that originated from a dramatico-musical work. Unlike small rights, grand rights ...
ASCAP's and SESAC's policy of charging non-commercial educational (NCE) radio stations for playing copyrighted music has also been criticised, especially by college radio stations across the U.S., which rely entirely on student and listener support for funding and have difficulty affording the extra fees. Community Orchestras, which mostly play ...