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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
The major pentatonic scale comprises only five notes of the major scale (C pentatonic scale is C D E G A), whereas the minor pentatonic scale comprises the five notes (C E ♭ F G B ♭). Pentatonics are useful in pattern form and that is how they are usually played. One pattern using the pentatonic scale could be 3 6 5 2 3 5 (in C: E A G D E G).
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
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There are four main qañat scales that are used, all of which are pentatonic: tizita (ትዝታ), bati (ባቲ), ambassel (አምባሳል), and anchihoye (አንቺሆዬ). [ 2 ] [ 3 ] Three additional modes are variations on the above: tezeta minor, bati major, and bati minor. [ 4 ]
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The Ambassel scale. The Ambassel scale (Amharic: አምባሳል ቅኝት) is a pentatonic scale widely used in the Gonder and Wollo regions of Ethiopia.. The notes of the scale (from C) are C, Db, F, G and Ab.
This concerto is written using the traditional 5-note technique (pentatonic scale). [2] The piece draws inspiration from Yue Opera for its melodies, chord structures, and patterns, and attempts to imitate the playing techniques of Chinese musical instruments, including the Erhu and Pipa.