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Christian tradition, for example Eusebius of Caesarea (History book 2, 24.1), has maintained that Peter was killed in Nero's persecution, and thus had to assume that the Roman persecution alluded to in First Peter must be this Neronian persecution. [270]
The circus was used in 65 to carry out mass executions of the Christians accused as scapegoats of the fire itself. [5] Because of this the area beyond the Tiber north of Trastevere was known as "Nero's meadows" until the end of the Middle Ages. [6] The circus was also the site of St. Peter’s and St. Paul’s martyrdom.
A. N. Sherwin-White records that serious discussion of the reasons for Roman persecution of Christians began in 1890 when it produced "20 years of controversy" and three main opinions: first, there was the theory held by most French and Belgian scholars that "there was a general enactment, precisely formulated and valid for the whole empire, which forbade the practice of the Christian religion.
Saint Peter's tomb is a site under St. Peter's Basilica that includes several graves and a structure said by Vatican authorities to have been built to memorialize the location of Saint Peter's grave. St. Peter's tomb is alleged near the west end of a complex of mausoleums, the Vatican Necropolis, that date between about AD 130 and AD 300. [1]
Al-Hakim's mother was a Christian, and he had been raised mainly by Christians, and even through the persecution al-Hakim employed Christian ministers in his government. [123] Between 1004 and 1014, the caliph produced legislation to confiscate ecclesiastical property and burn crosses; later, he ordered that small mosques be built atop church ...
Jul. 27—Sixty-one of the world's 196 nations actively persecute Christians who, ostracized, imprisoned, beaten, tortured, raped and murdered, stay just as determined to hold onto to their faith ...
According to Tacitus, Nero used Christians as human torches The Victory of Faith, by Saint George Hare, depicts two Christians in the eve of their damnatio ad bestias. According to Jacob Neusner, the only religion in antiquity that was persistently outlawed and subject of systematic persecution was not Judaism, but Christianity. [15]
In large part this is because the two frescoes were commissioned together, but this can also be attributed to how the two images were created as foils of one another. The Conversion of Saint Paul (as its title suggests) represents the conversion of a lawyer from Tarsus named Saul (a man who prosecuted Christians) into a follower of Christ. [15]