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"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford, which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins' reverb-laden voice.
The Genesis version of the track is a dramatic art-rock piece, while the Collins' version is lighter and played in a funk style. Lyrically, the song is about pleading to a former lover, a subject that fitted smoothly into Collins' post-divorce solo album. [1] There were a few minor changes to the words, however.
"Illegal Alien" is a song by the English rock band Genesis. It was written by members Tony Banks, Phil Collins, and Mike Rutherford, produced by all three alongside Hugh Padgham, and released as the third single from their eponymous 1983 studio album in January 1984.
In 2019, Andy Greene of Rolling Stone remarked, "You don't hear the 1986 Genesis song 'Tonight Tonight Tonight' very often these days, but back then it was absolutely inescapable. This was a weird period of time where seemingly half the songs on the radio were either by Genesis or one of the many offshoot acts like Phil Collins, Peter Gabriel ...
Before the lyrics were added, the song's title was "Do The New Thing", possibly referencing Tony Banks' opening keyboard notes, which are heard again in the bridge. According to the behind-the-scenes documentary Genesis: No Admittance , the first lyric Phil Collins wrote out of improvisation was the chorus line "Jesus, he knows me, and he knows ...
The music video for the song features the three band members playing on a minimalist set composed of steps and platforms. Tony Banks plays a grand piano, although the recording itself is mainly electric, while Mike Rutherford is on an acoustic guitar and Phil Collins is on vocals and drums.
"Driving the Last Spike" is the third track on the Genesis album We Can't Dance, released in 1991. The song's lyrics by Phil Collins are about the Navvies: railway workers of the 19th century, many of whom died constructing Britain's railways.
The original demo without lyrics was later included on the 2016 reissue of that album. According to Collins, the song was modelled after the Beach Boys' "Sail On, Sailor", Sly and the Family Stone's "Hot Fun in the Summertime" and Toto's "Hold the Line". Tony Banks said of the song: "All three of us were fans of the Beach Boys, so when Phil ...