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Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
Holy laughter is a term used within charismatic Christianity that describes a religious behaviour in which individuals spontaneously laugh during church meetings. It has occurred in many revivals throughout church history, but it became normative in the early 1990s in Neo-charismatic churches and the Third Wave of the Holy Spirit .
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
Presumption; or, the Fate of Frankenstein is an 1823 play in three acts by Richard Brinsley Peake loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It is the first recorded theatrical adaptation of the novel [ 1 ] [ 2 ] [ 3 ] and had 37 performances during its original run.
The unbeliever who had provoked this long analysis to counter his previous objection ("Maybe I bet too much") is still not ready to join the apologist on the side of faith. He put forward two new objections, undermining the foundations of the wager: the impossibility to know, and the obligation of playing.
[5] Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a "brilliant summary of story-telling". [ 6 ] Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above.
Sections 7, 8, & 9 cover theories of reason and logic, closing with the last two sections as a summary and transition into Part 2. The narrator observes that utopian society removes suffering and pain, but man desires both things and needs them in order to be happy. He argues that removing pain and suffering in society takes away a man's freedom.
Harold Bloom, however, wrote that it "reveals Shakespeare's magnificence at the art of comedy", [3] and praised the work as showing "such skill, indeed mastery – in action, incipient character, and stagecraft – that it far outshines the three Henry VI plays and the rather lame comedy The Two Gentlemen of Verona". [4]