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Mars and Venus with Cupid and a Dog is a 163-by-125-centimetre (64 in × 49 in) oil painting on canvas by Paolo Veronese. It was painted c. 1580 and is in the collection of the National Gallery of Scotland, in Edinburgh. [1] Venus is portrayed wearing a fur and sitting on Mars' knee. At their feet are Cupid and a lapdog.
Orthopedic surgery attempts to recreate the normal anatomy of the fractured bone by reduction of the displacement. [citation needed] This sense of the term "reduction" does not imply any sort of removal or quantitative decrease but rather implies a restoration: re ("back [to initial position]") + ducere ("lead"/"bring"), i.e., "bringing back to ...
Minerva protecting Peace from Mars or Peace and War is a painting by Peter Paul Rubens. He produced it in London between 1629 and 1630, during a diplomatic mission from the Spanish Netherlands to Charles I of England .
Miss Mona Superhero, real name unknown, is an American artist, activist, and Northwestern United States personality. [1]The Oregonian has called her a “cult figure in Portland's cabaret-performance world during the 90s”, “subterranean art star”, and “master of the tape-and-cut form.” [2] In the 1990s, she co-founded the influential Danzine periodical and support network for sex ...
Centerville artist Joey Mars has been making friendly alien art for decades. A Sept. 13-15 retrospective of his work includes fashion show in Eastham 'Mars Fest' is three-day celebration of Joey ...
The meeting of the two lovers takes place in idyllic, peaceful scenery. On the left stands the naked goddess, with her left hand embracing Mars, who sits in front of her in armor. The right hand of Venus rests on her breast from which milk flows, emphasizing her femininity. On the right side, there is a war horse of the god of war.
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Several versions of the Crouching Venus issued from the atelier of Giambologna and his heir Antonio Susini; among examples of Susini's bronze reduction, one from the collection of Louis XIV is conserved in the Holburne Museum of Art, Bath, [13] while another, in the collection of Prince Carl Eusebius von Liechtenstein by 1658, remains in the ...