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Saint George (Italian: San Giorgio) is a marble sculpture by Donatello. It is one of fourteen sculptures commissioned by the guilds of Florence [1] to decorate the external niches of the Orsanmichele church. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai.
It is an unusual subject, combining the Ascension of Christ and Christ's giving the keys of the kingdom to Saint Peter. It may form part of a series of works for private devotion which the artist produced at that time, but more probably it decorated the original altar in the Cappella Brancacci , or perhaps the base of the Saint Peter niche at ...
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. [1] It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.
Orsanmichele Orsanmichele, with Donatello's Saint George left of the corner. Orsanmichele (pronounced [orsammiˈkɛːle]; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word orto) is a church in the Italian city of Florence.
File:St. Georg, Donatello, 1416-17, Bargello Florenz-03.jpg ... Saint George : Date: from 1415 until 1417 ... Donatello; List of national symbols of the United ...
Donatello, the bronze David (1440s?), Bargello Florence, h.158 cm David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello , probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding ...
The Feast of Herod (1423–1427), baptismal font, Siena Baptistery The Ascension with Christ Giving the Keys to St. Peter, 1428–32, Victoria and Albert Museum, London (Inv. 7629-1861) Donatello's "first milestone" in the technique is his marble Saint George Freeing the Princess on the base of his Saint George for Orsanmichele.
According to Avery, Donatello's Ascension of Christ and the Giving of the Keys to St. Peter may have been intended to share the front of the sarcophagus, [73] further strengthening the papal associations, which were created by dating Cossa's death using the ancient Roman Calends of January, which was uncommon on Florentine tombs, but was used ...