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A defining feature of the square was the royal palace constructed by the Lusignan dynasty until its demolition. It was originally constructed as the house of Sir Hugh de la Baume, the Constable of Cyprus, but the royal family decided to move into the house following the burning of their second royal palace by the Mamluks.
It is strongly influenced by Ottoman architecture, showing similarities to the Sultan Ahmed II Mosque of Istanbul with a central dome with cupolas occupying the four corners of the square of the prayer hall. [1]
The Ottomans also did not continue the Seljuk tradition of constructing monumental stone portals covered in ornamentation. [118] Lastly, as the classical Ottoman style took form, large solid walls that were common in more traditional structures were superseded by highly articulated structures with many elements joined as part of a more complex ...
Each single open umbrella structure of 25 by 25 metres (82 ft × 82 ft) spans an area of 625 square metres (6,730 sq ft). As the components for each umbrella are so large and also have to withstand potentially extreme climatic conditions, the cladding needed to be made from advanced composites.
It is an example of the classical Ottoman architecture. Due to the extensive renovation required, it was renovated in 1845. It is rectangular and the only mosque in Cyprus to exhibit a typical Turkish dome. A large central dome covers the main body of the mosque and three smaller ones cover its entrance. Four more cover its corners. [4]
Classical Ottoman architecture is a period in Ottoman architecture generally including the 16th and 17th centuries. The period is most strongly associated with the works of Mimar Sinan, who was Chief Court Architect under three sultans between 1538 and 1588.