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Before the 20th century popular songs frequently borrowed hymn tunes and other church music and substituted secular words. John Brown's Body, the marching song of the American Civil War, was based on the tune of an earlier camp-meeting and revival hymn, and was later fitted with the words "Mine eyes have seen the glory of the coming of the Lord", by Julia Ward Howe. [1]
Approaches or techniques to musical analysis. Assumption and advocating could be considered missing. Musical analysis is the study of musical structure in either compositions or performances. [1] According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2]
The Venetian poet who, with Sorrentino's permission, revised the text to make it more suitable for presentation in that city is not named, [5] but may have been Aurelio Aureli [2] or Balbi. [4] The opera was revived again in 1665 in Venice with additional music by Andrea Mattioli. [2] [3] Manuscript scores of the 1654 and 1665 versions survive. [2]
Patricia Carpenter (January 21, 1923 – July 8, 2000), [1] a music theorist, was a professor of music theory at Barnard College and Columbia University. Her areas of scholarly interest included music theory, the history of music theory, musical analysis, and the aesthetics of music. She was born in Santa Rosa, California. [2] Patricia Carpenter
Treitler's major work is in Medieval and Renaissance music, particularly in Gregorian chant and the earliest polyphony. He also published a series of essays exploring historiography in music history, which were collected, with other works on music history and theory, in Music and the Historical Imagination.
The Story of Music is a work of nonfiction by English composer and broadcaster Howard Goodall, first published in 2013 by Chatto & Windus, which covers the history of largely Western classical music from pre-history to 2012. The book is associated with the 2013 BBC2 documentary series Howard Goodall's Story of Music.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock); in practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based.