Search results
Results From The WOW.Com Content Network
Noel attributed to flamenco and bullfighting the origin of the ills of Spain which he saw as manifestations of the country's Oriental character which hindered economic and social development. These considerations caused an insurmountable rift to be established for decades between flamenco and most "intellectuals" of the time.
Zambra (Spanish pronunciation:) (from Andalusi Arabic zamra, originally from classical Arabic zamr) is a style of flamenco dance, typical of the Roma of the provinces of Granada and Almería (Andalusia, Spain). It is believed that the zambra is a continuation of earlier Morisco styles of dance. It became typical during wedding ceremonies ...
Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
Fellow flamenco dancer Pablo Rodarte, now a Cedar Crest resident, said he first encountered Benítez 59 years ago, when at the age of 19 he left the U.S. to study in Spain.
Its origin is traditionally associated with Galicia, a region in northern Spain. [2] An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. [3] [4] Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato. [1]
Sevillanas (Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country ...