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Likely point where Stieglitz stood aboard the Kaiser Wilhelm II to take the photo. Shown on a model of the ship in the Deutsches Museum, Munich. In June 1907 Stieglitz and his family sailed to Europe to visit relatives and friends. They booked passage on the SS Kaiser Wilhelm II, one of the largest and fastest ships in the world at that time ...
Alfred Stieglitz HonFRPS (/ ˈ s t iː ɡ l ɪ t s /; January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form.
At the start of the 20th century Alfred Stieglitz was the single most important figure in American photography. [4] He had been working for many years to raise the status of photography as a fine art by writing numerous articles, creating exhibitions, exhibiting his own work and, especially by trying to influence the artistic direction of the Camera Club of New York.
Alfred Stieglitz's photograph The Steerage (1907) was an early work of artistic modernism, and considered by many historians to be the most important photograph ever made. [1] Stieglitz was notable for introducing fine art photography into museum collections.
Advertisement for the Photo-Secession and the Little Galleries of the Photo-Secession, designed by Edward Steichen.Published in Camera Work no. 13, 1906. The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular.
By this time, however, Stieglitz's tactics had offended many of his former friends, including White and Robert Demachy, and a year later, he was forced to disband the Photo-Secession. During this time, many young women starting in photography sought Käsebier, both for her photographic artistry and for inspiration as an independent woman.
In September, 1894, Alfred Stieglitz returned to New York after an extended tour in Europe. He found both the quality and quantity of what he considered to be artistic photography, such as that promoted by the Linked Ring in Britain, was much greater in Europe than in the United States, and he was determined to do something to advance fine art photography in America.
Interior insert The Steerage, photograph by Alfred Stieglitz; Back cover: the same comments on the cover, translated into French; This is the only issue in which a photograph was published, a single large gravure of Stieglitz's The Steerage inserted inside. The image is introduced on the cover by brief rhetorical commentaries by Haviland and de ...