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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
Like other pedals of the time, MXR pedals prior to 1981 did not have LEDs, A/C adaptor jacks, or true-bypass switching. The first period is known as the "Script period," in reference to the cursive logo on the case. The earliest script logo pedals were made in the basement shop of the MXR founders [5] and the logos were silk screened. These ...
In the 1970s, a variant form of keyboard bass, bass pedals, became popular.Bass pedals are pedal keyboards operated by musicians using their feet. The guitar players or bass players of bands such as Genesis' Mike Rutherford, Yes' Chris Squire, John Paul Jones of Led Zeppelin during acoustic sets, Geddy Lee of Rush, The Police (bassist Sting), or Atomic Rooster (organist Vincent Crane) use the ...
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
Some effect pedals used with electromechanical keyboards such as the Fender Rhodes electric piano or digital keyboards respond to loudness and so, indirectly, to key velocity. Examples include overdrive pedals, which produce a clean sound for softer notes, and a distortion effect for louder notes—and fixed wah-wah pedals that filter the audio ...
The Professional Duo is a double-manual version with bass pedals, a swell pedal and a slalom pedal. There is an optional amplifier and speaker unit, the PAS 55, that can be placed between the organ and pedals, to resemble a spinet organ. The Professional Piano was an electronic piano. There were two different models, whose main difference was ...