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Argentine tango music is much more varied than ballroom tango music. A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well, which makes it easier for Argentine tango ...
Otros Aires is an Argentine 21st-century tango music group founded in 2003 in Barcelona by Argentine musician and architect Miguel Di Genova.. Otros Aires mixes early tango and milonga structures from the beginning of the 20th century (Gardel, Razzano, D'Arienzo, etc.) with electronic sequences, melodies and lyrics from the 21st century.
The DWTS judge and pro dancer gave a special Argentine tango performance to "Libertango" by Tango Bardo. Before hitting the ballroom floor, they explained that the traditional dance became popular ...
Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
Founded by double bassist Ignacio Varchausky and bandoneonist Camilo Ferrero and starting off as a quintet, El Arranque developed a repertoire that was readily embraced by the tango community, and by the end of their first year El Arranque had already performed over 200 shows in Argentine theatres and milongas (tango dance halls).
tango Ansias de amor Guillermo Desiderio Barbieri: Guillermo Desiderio Barbieri Apure, delantero buey Carlos Gardel Alfredo Le Pera canción Aquel muchacho triste José Pedro De Grandis: José Pedro De Grandis not found in SADAIC tango Argentina Vicente Greco Vicente Greco not found in SADAIC Arrabal amargo Carlos Gardel Alfredo Le Pera tango
Tango Argentino is a musical stage production about the history and many varieties of Argentine tango.It was created and directed by Hector Orezzoli [1] and Claudio Segovia, and premiered at the Festival d'Automne in Paris in 1983 and on Broadway in New York in 1985.
Critics of what some call the tango nuevo style claim that with all the emphasis being on the physics of the dance, that the connection to the music, the feeling, and the traditions of Argentine tango have been lost to the newer generations of tango dancers.