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Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. [1] Horror is often divided into the sub-genres of psychological horror and supernatural horror.
William Francis Nolan (March 6, 1928 – July 15, 2021) was an American author who wrote hundreds of stories in the science fiction, fantasy, horror, and crime fiction genres. [ 1 ] [ 2 ] [ 3 ] Career
Jones is also a noted editor of several horror and Cthulhu-mythos fiction anthologies including Horrors Beyond: Tales of Terrifying Realities, and High Seas Cthulhu, [3] and was the editor of Dark Wisdom magazine [1] in 2005 when it was nominated for an International Horror Guild Award in the category of Best Periodical. [4]
Chapter 6 discusses Val Lewton's horror films and Dead of Night. Chapter 7 examines many science fiction films of the 1950s-1960s, particularly horrific ones that have to do with alien invasion, world destruction, and/or space travel. Chapter 8 looks at numerous kinds of horror and science fiction films of the 1950s-1960s from all over the world.
Among the most influential horror films of the 1950s was The Thing From Another World (1951), with Newman stating that countless science fiction horror films of the 1950s would follow in its style, while the film, The Man from Planet X (1951) was still in debt to Universal horror style of filming with a bearded scientist and foggy sets. [66]
Ray Russell (September 4, 1924 – March 15, 1999) was an American editor and writer of short stories, novels, and screenplays. Russell is best known for his horror fiction, although he also wrote mystery and science fiction stories.
Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
Horror is also a genre of film and fiction that relies on horrifying images or situations to tell stories and prompt reactions or jump scares to put their audiences on edge. In these films the moment of horrifying revelation is usually preceded by a terrifying build up, often using the medium of scary music.