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  2. Mark 4 - Wikipedia

    en.wikipedia.org/wiki/Mark_4

    Mark 4 is the fourth chapter of the Gospel of Mark in the New Testament of the Christian Bible. It tells the parable of the Sower , with its explanation, and the parable of the Mustard Seed . Both of these parables are paralleled in Matthew and Luke , but this chapter also has a parable unique to Mark, the Seed Growing Secretly .

  3. Calming the storm - Wikipedia

    en.wikipedia.org/wiki/Calming_the_storm

    Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:3541, and Luke 8:22–25 (the Synoptic Gospels). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.

  4. Textual variants in the Gospel of Mark - Wikipedia

    en.wikipedia.org/wiki/Textual_variants_in_the...

    Mark 8:35-9:1 in Papyrus 45. Mark 9:49 πας γαρ πυρι αλισθησεται – (א εν πυρι) B L W Δ ƒ 1 ƒ 13 28 565. 700. ℓ260 syr s sa πασα γαρ θυσια αλι αλισθησεται – D it

  5. Mark 5 - Wikipedia

    en.wikipedia.org/wiki/Mark_5

    Mark 5 is the fifth chapter of the Gospel of Mark in the New Testament of the Christian Bible. Taken with the calming of the sea in Mark 4:3541 , there are "four striking works [which] follow each other without a break": [ 1 ] an exorcism , a healing , and the raising of Jairus' daughter .

  6. Mark 9 - Wikipedia

    en.wikipedia.org/wiki/Mark_9

    Mark 9 is the ninth chapter of the Gospel of Mark in the New Testament of the Christian Bible. It begins with Jesus ' prediction that "I tell you the truth , some who are standing here will not taste death before they see that the kingdom of God has come with power". [ 1 ]

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  8. Intertextual production of the Gospel of Mark - Wikipedia

    en.wikipedia.org/wiki/Intertextual_production_of...

    Papyrus 45 (c. AD 250), showing Mark 8:35–9:1. The intertextual production of the Gospel of Mark is the viewpoint that there are identifiable textual relationships such that any allusion or quotation from another text forms an integral part of the Markan text, even when it seems to be out of context.

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