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Qawwali at Ajmer Sharif Dargah. Qawwali is a form of Sufi Islamic devotional singing originating in India.Originally performed at Sufi shrines or dargahs throughout The Indian subcontinent, [1] it is famous throughout Pakistan, India, Bangladesh and Afghanistan and has also gained mainstream popularity and an international audience as of the late 20th century.
The music video features Atif Aslam. It is the first Pakistani music video to cross 100 million views on YouTube. [9] [10] The official video has garnered over 520 million views on YouTube, and became the most viewed Youtube video of Pakistani-origin, as of January 2022, leaving behind Rahat Fateh Ali Khan and Momina Mustehsan's rendition of Afreen Afreen having 336 million views. [11]
Sakhr, a king of the jinn, sometimes of demons (div). Appears in the legend of Solomon. (Genie or demon) Salsa'il, guardian angel of the fourth heaven. [39] (Angel) Shamka'il, an angel of the sixth heaven. (Angel) Sharahil, angel responsible for the day and the sun, Sarahiel. (Angel) Shayateen, evil spirits, tempting humans into sin. Usually ...
Aziz Mian Qawwal (Urdu: عزیز میاں قوال) (17 April 1942 – 6 December 2000) was a Pakistani traditional qawwal famous for singing ghazals in his own style of qawwali and is considered one of the greatest qawwals in South Asia.
For example, the "Allah Hoo" that appears on the Sabri Brothers 1978 album Qawwali: Sufi Music from Pakistan is totally different from the song that became one of Nusrat Fateh Ali Khan's signature qawwalis, and this in turn is totally different from Qawwal Bahauddin's version on the 1991 Shalimar compilation video titled "Tajdar-e-Haram, vol. 2 ...
Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia. However, music is also central to the Sema ceremony of the whirling dervishes , which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute).
[40] [41] Ibn Hisham gives an extensive forty-five page account of King Ṣaʿb in his work The Book of Crowns on the Kings of Himyar, relying on the Yemeni author Wahb ibn Munabbih. [42] [43] [44] In this account, King Ṣaʿb was a conqueror who was given the epithet Dhu al-Qarnayn after meeting a figure named Musa al Khidr in Jerusalem.
Often referred to as the "Shahenshah-e-Qawwali" (the King of Kings of Qawwali), [2] [3] he was named by The New York Times as the greatest qawwali singer of his generation, [4] and as the fourth greatest singer of all time by LA Weekly in 2016. [5] He was known for his vocal abilities and could perform at a high level of intensity for several ...