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Art historian Mary Garrard believes that Judith Slaying Holofernes portrays Judith as a "socially liberated woman who punishes masculine wrongdoing". [13] Although the painting depicts a scene from the Bible, art historians have suggested that Gentileschi drew herself as Judith and her mentor Agostino Tassi, who was tried for and convicted of ...
Artemisia, and more specifically her painting Judith Beheading Holofernes, are referred to in Wendy Wasserstein's play The Heidi Chronicles (1988), in which the main character, Heidi, lectures about it as part of her art history course on female painters. At the end of the play, Heidi adopts a daughter she names Judy, which is at least a ...
Elderly Lady (circa 1740), painting by Rosalba Carriera. Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "Emphatically Corporeal Visual Subject", with Vernon Lee as a notable example. [1]
Nicholson, Elizabeth S. G. "Diana Scultori." Italian Women Artists from Renaissance to Baroque: National Museum of Women in the Arts. Milano: Skira, 2007; Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy, McGill-Queen's Press – MQUP, 2017 “Splendid Japanese Women Artists of the Edo Period”.
Special Exhibition on the 120th Anniversary of Jissen Women's Educational Institute, at the Kōsetsu Memorial Museum, Tokyo, April 18–June 21, 2015; Harris, Anne Sutherland and Linda Nochlin, Women Artists: 1550–1950, Los Angeles County Museum of Art, Knopf, New York, 1976; Heller, Nancy. Women Artists: An Illustrated History.
Women in the art history field; Women Painting Women!Women Art Revolution This page was last edited on 27 August 2024, at 18:58 (UTC). Text is available under the ...