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Since a Shamanic ritual includes a spiritual purpose and motive, it cannot be regarded as a musical performance, even though shamans use music (singing, drumming, and other instruments) in their rituals. Several things follow the ritual. First, a shamanic ritual performance is, above all, a series of actions and not a series of musical sounds. [1]
Drums – The drum is used by shamans of several peoples in Siberia. [62] [63] The beating of the drum allows the shaman to achieve an altered state of consciousness or to travel on a journey between the physical and spiritual worlds. Much fascination surrounds the role that the acoustics of the drum play to the shaman.
A Sámi drum is a shamanic ceremonial drum used by the Sámi people of Northern Europe. Sámi ceremonial drums have two main variations, both oval-shaped : a bowl drum in which the drumhead is strapped over a burl , and a frame drum in which the drumhead stretches over a thin ring of bentwood .
Shamanic drumming is generally simple and repetitive, often considered as a form of prayer or method of trance induction, rather than as music or entertainment. During a shamanic trance or shamanic journey, the shaman uses the steady beat of the drum as a "lifeline" to find the way back to the world of ordinary consciousness.
The shamanic séance served as a public display of the shaman's journey to the spirit world and usually involved intense trances, drumming, dancing, chanting, elaborate costumes, miraculous displays of physical strength, and audience involvement.
Making a conscious journey back inside a dream in order to clarify information, dialogue with a dream character, or move beyond nightmare terrors into healing and resolution. Conscious dream travel on an agreed itinerary by two or more partners, often supported by shamanic drumming.
The dhyāngro is a frame drum played by the jhakri (shamans) of Nepal and India—especially those of the Magars, the Kirati, and the Tamang—as well as by Tibetan Buddhist musicians. The dhyāngro may be either single- or double-headed. Double-headed drums are said to have a male side and a female side. [1]
The Journey to the Sacred Garden. Hay House, 2003. ISBN 1-4019-0111-5:An introduction to understanding and practicing Core Shamanism. The book includes an experiential CD with drumming and rattling tracks designed to induce altered states. Spirit Medicine (with Jill Kuykendall)- July 2004 and experiential CD). :An overview of shamanic healing ...