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Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler. The rise of Guler Paintings or Guler style started what is known as the early phase of Kangra art. [3]
Miniature painting of Raja Sansar Chand of Kangra State as a young boy during his childhood. Sansar Chand was a scion of the Katoch dynasty, which ruled Kangra for centuries until they were ousted by the Mughals in the early 17th century.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Bani Thani, Kishangarh miniature from c. 1750, at the National Museum, New Delhi. Bani Thani was a singer and poet in Kishangarh in the time of Raja Sawant Singh (1748–1764), whose mistress she became.
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