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Studying the neuroscience of film is based on the hypothesis that some films, or film segments, lead viewers through a similar sequence of perceptual, emotional and cognitive states. Using fMRI brain imaging, researchers asked participants to watch 30 minutes of The Good, the Bad and the Ugly (1966) as they lay on their backs in the MRI scanner.
That makes your user page one of the most easily accessible pages to you on Wikipedia, making it a powerful tool. One of the things you can use your user page for is navigation. It is the perfect place for bookmarks and navbars/navboxes, to get you where you need to go on Wikipedia and related destinations fast.
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.
Welcome to the User page design guide (start here) About you Navigation aids & Metadata Your scripts Style (formatting) Menus & subpages Art, Decor, etc. ...
The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece
If an article overall has so many images that they lengthen the page beyond the length of the text itself, you can use a gallery; or you can create a page or category combining all of them at Wikimedia Commons and use a relevant template ({}, {{Commons category}}, {{Commons-inline}} or {{Commons category-inline}}) to link to it instead, so that ...
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
If film, as has always been claimed, can be brought close to the dream, then it must be possible to approach it with the means of psychoanalysis (analogous to the interpretation of a dream). Freud's concepts of the Oedipus complex, narcissism, castration, the unconscious, the return, and hysteria are all utilized in film theory. [ 3 ]
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