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Back of the pillars with Buddhist reliefs (Indian Museum, Kolkata).The holes for the cross-bars can be seen in the sides. The Bhutesvara Yakshis, also spelled Bhutesar Yakshis, are a series of yakshi reliefs on a railing, dating to the 2nd century CE during the time of the Kushan Empire. [1]
Jain temples and monasteries had mural paintings from at least 2,000 years ago, though pre-medieval survivals are rare. In addition, many Jain manuscripts were illustrated with paintings, sometimes lavishly so. In both these cases, Jain art parallels Hindu art, but the Jain examples are more numerous among the earliest survivals.
The pink sandstone Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
Nepali sculpture draws influences from the sculpture and artistic styles of Indian art, of the Gupta and Pala Empires in particular. [1] The majority of the surviving sculptures depict religious figures and subjects, drawn from both Hinduism and Buddhism, as the two religions have coexisted peacefully in the Nepalese region for over two ...
The sculpture is now in the Bihar Museum in Patna, Bihar, India, [5] close to where it was found in 1917. [ 6 ] [ 7 ] Patna, as Pataliputra , was also the Mauryan capital. The statue is 5 feet 2 inches (1.57 m) tall on a pedestal of 1 foot 7.5 inches (49.5 cm) made of Chunar sandstone highly finished to a mirror-like polish. [ 8 ]
Like all the locations of Buddhist caves, this one is located near main trade routes and spans six centuries beginning in the 2nd or 1st century B.C. [47] A period of intense building activity at this site occurred under the Vakataka king Harisena between 460 and 478 A profuse variety of decorative sculpture, intricately carved columns and ...
Sculpture depicting Tirthankara Parshvanatha, Thirakoil, Tamil Nadu Jainism spread here and there all over Tamil Nadu during Sangam Age.One of the Tamil literature, called Paripadal (பரிபாடல்), probably belongs to 3rd century, mentions that there were propelling statues sculptured in stone for different deities in the temple of God Murugan in Thirupparankundram.
Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]