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The simple pictorial language of Warli painting is matched by a rudimentary technique. The ritual paintings are usually created on the inside walls of village huts. The walls are made of a mixture of branches, earth and red brick that make a red ochre background for the paintings. The Warli only paint with a white pigment made from a mixture of ...
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
Floral Rangoli during Onam are a tradition. The floral Rangoli, known as Onapookkalam, Athapookkalam or just Pookkalam, [52] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on the floor, particularly at entrances and temple premises like a ...
A yantra is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric composition used in sadhanas, puja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode of the deity.
Rangoli: Making decorative floral and grain designs on the floor; Home and temple flower arranging; Personal grooming; Mosaic tiling; Bedroom arrangements; Creating music with water; Splashing and squirting with water; Secret mantras; Making flower garlands; Head adornments; Dressing Drapery- The art of drapery has progressed over time.
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
The festival is characterised by colourful floor decorations called rangoli, a special gudi dvaja; which is a saari or dhoti or other piece of cloth garlanded with flowers, mango & neem leaves; a sugar crystal garland called gathi, topped with upturned silver or copper vessels. Celebration also includes street gathering, dancing & festive foods.