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In the song, she expresses the depth of her longing for California despite considering herself a member of the counterculture. [2] Like "Carey", "California" takes the form of a travelogue, and uses a stream of consciousness narrative technique. [3] [4] Pitchfork critic Jessica Hopper describes both songs as "how-Joni-got-her-groove-back ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Don Henley resumed testifying Tuesday in a trial over handwritten drafts of lyrics to some of the Eagles' biggest hits, including “Hotel California," and his decade-long effort to reclaim the pages.
"California" is a country music song written by John Rich, Rodney Clawson, and Vicky McGehee. It was originally recorded by Tim McGraw on his album Damn Country Music, featuring Big & Rich on backing vocals. Big & Rich released their own version in 2017 as a single, and it appears on their 2017 album Did It for the Party.
The song was the fifth and final single from the album, which also featured the smashes “Enter Sandman,” “The Unforgiven” and “Nothing Else Matters.” The song climbed to No. 15 on the ...
Half a century after release, the country star's song based loosely on a flirtation between her husband and a bank teller is Parton's most covered creation. Dolly Parton's 'Jolene' is 50: Why her ...
Frankenstein was a cousin of the San Francisco Chronicle's long-time music and art critic Alfred V. Frankenstein. [5] The song was published by Hatch & Loveland, Music Printers, Los Angeles, California, [6] and copyrighted by F.B. Silverwood in 1913. It was the official song of expositions held in San Francisco and San Diego in 1915.