Search results
Results From The WOW.Com Content Network
During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the Ming period became classical during this period. More colours were used in painting during the Ming dynasty.
The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century. During this time, the government played a stronger role in shaping culture, requiring the use of Zhu Xi 's interpretation of Neo-Confucianism in civil service examinations ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
The Ming dynasty, officially the Great Ming, was an imperial dynasty of China that ruled from 1368 to 1644, following the collapse of the Mongol-led Yuan dynasty.The Ming was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China.
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Dai Jin, "Landscape in the Style of Yan Wengui", Early Ming dynasty (1368-1644); a Chinese landscape painting using "atmospheric perspective" to show recession in space. "Travelers Through Mountain Passes" (关山行旅图), Dai Jin, Ming dynasty, China, Palace Museum, Beijing. Hanging scroll, ink and color on paper. 61.8 x 29.7 cm.
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.
Dong Qichang (Chinese: 董其昌; pinyin: Dǒng Qíchāng; Wade–Giles: Tung Ch'i-ch'ang; courtesy name Xuanzai (玄宰); 1555–1636), was a Chinese art theorist, calligrapher, painter, and politician of the later period of the Ming dynasty.