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Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [1] Hybrid versions also exist among the natives of Sulawesi (Kabasaran dance or Sakalele of the Minahasan), [2] East Nusa Tenggara (Abui Cakalele from Alor), [3] the Tanimbar Islands, [citation needed] and Fakfak ( Mbaham-Matta's Cakalele Mbreh). [4]
Saman dance in Lokop, East Aceh Regency during Dutch colonial period Saman dance performance. The dance is done by a group of people without musical instruments. Originally, the group was exclusively men. In performing this dance, the player sings some songs while doing some attractive movements.
Likok Pulo is a traditional dance originating from Aceh, Indonesia. "Likok" means dance moves, while "Pulo" means island. "Likok" means dance moves, while "Pulo" means island. Pulo here refers to a small island at the northern tip of Sumatra Island which is also called Breuh Island, or Beras Island.
War dances such as cakalele of Maluku and kabasaran dance of Minahasa, North Sulawesi. Others are inspired by nature, such as the Tari Merak (Peafowl dance) of West Java. Ancient forms are usually characterized by repetitive movements like the Tor-Tor dance of the Batak people of (North Sumatra). The dancing also is meant to let the human's ...
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences.With over 600 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums. It can also include a large gong. [1] The name comes from the instruments' collaboration.
Betawi mask dance or tari topeng Betawi is a theatrical form of dance-drama of the Betawi people in Jakarta, Indonesia. [9] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [10] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Kalwedo is valid proof of ownership of indigenous peoples in Southwest Maluku (MBD). [2] This ownership is joint ownership of common life. [clarification needed] [3] Kalwedo is rooted in the lives of indigenous peoples in the Babar archipelago and MBD. [2] The Kalwedo cultural inheritance is expressed in a language game, customs, and discourse. [3]