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The female figure is a black woman dressed in a red bodice similar to that worn by Metsu's wife Isabella de Wolff in a portrait he painted soon after their wedding in Enkhuizen in 1658. Like other contemporary Leiden fijnschilders, Metsu has chosen the subject of a niche or window to frame his subject. The popular motif generally includes a ...
Woman in a Red Armchair (French: Femme au fauteuil rouge) is an oil on canvas painting by artist Pablo Picasso. It was painted in 1929 and is housed at the Menil Collection in Houston, Texas. The painting was influenced by Surrealism and may be a portrait of Picasso's first wife, Olga Khokhlova, whom he married in 1918. It was vandalised while ...
The woman in the painting provides a sense of reality in the painting. The woman is proportional to the table. The woman gives context to the time of the painting with the clothing she is wearing and the action she is completing. In the book Matisse: The Man and His Art, Katharine Kuh compares Harmony in Red with Matisse's painting Bathers with ...
The painting remained undiscovered until 2021, when it was found to be hidden under the canvas of a portrait painting of Ananda Samarakoon, also painted by Amarasekara. The subject of the Lady in Red is unknown, but is speculated to be the wife of a politician, a daughter of an ambassador, or perhaps another artist.
The painting was sold by M. Knoedler & Co., New York and London, in November 1925 to Andrew W. Mellon for $290,000, who deeded it on March 30, 1932 to The A.W. Mellon Educational and Charitable Trust in Pittsburgh (a holding-place for Mellon's pictures while the National Gallery of Art was being established). The trust gave it to the NGA in 1937.
WiR redlist index: Paintings. Welcome to WikiProject Women in Red (WiR). Our objective is to turn red links into blue ones. Our scope is women's biographies, women's works, and women's issues, broadly construed. This list of red links is intended to serve as a basis for
The knee-piece shows a somewhat chubby middle-aged woman in a red velvet dress in front of a turquoise background. On her head she wears a balzo, a fashionable invention of Isabella d'Este (from 1509 [1]), which was widely used in northern Italy in the 1530s. Personal features are reddish-brown curls, brown eyes and classically arched eyebrows.
La Japonaise is an 1876 oil painting by the French Impressionist painter Claude Monet. Painted on a 231.8 cm × 142.3 cm (91 + 1 ⁄ 4 in × 56 in) canvas, the full-length portrait depicts a European woman in a red uchikake kimono standing in front of a wall decorated by Japanese fans. Monet's first wife Camille Doncieux modeled for the painting.