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Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
A fragment of a Gospel Book, now in the Durham Cathedral library and created in northern Britain in the 7th century, contains the earliest example of true knotted designs in the Celtic manner. Examples of plait work (a woven, unbroken [clarification needed] cord design) predate knotwork designs in several cultures around the world, [2] but the ...
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period.
Late examples of the triple spiral symbols are found in Iron Age Europe, carved in rock in Castro Culture settlements in Galicia, Asturias, and Northern Portugal. The symbol took on new meaning to Irish Celtic Christians before the 5th century CE as a symbol of the Trinity. [citation needed]
The language of these inscriptions is predominantly Primitive Irish, but a few examples are fragments of the Pictish language. Ogham itself is an Early Medieval form of alphabet or cipher, sometimes also known as the "Celtic Tree Alphabet". A number of different numbering schemes are used.
The Silver Branch or Silver Bough (Irish: An Craobh Airgid) is a symbol found in Irish mythology and literature. Featured in the Irish poem The Voyage of Bran and the narrative Cormac's Adventure in the Land of Promise, it represents entry into the Celtic Otherworld or Tír na nÓg.